ShowBiz & Sports Lifestyle

Hot

The 30 best medieval movies of all time, ranked

The 30 best medieval movies of all time, ranked

Declan Gallagher, Kevin JacobsenMon, October 26, 2026 at 6:00 PM UTC

0

Katharine Hepburn as Eleanor of Aquitaine in ‘The Lion in Winter’; Cary Elwes as Westley in ‘The Princess Bride’; TimothĂ©e Chalamet as Henry V of England in ‘The King’Credit: Screen Archives/Getty Images; 20th Century Fox; Netflix

Medieval stories have captured moviegoers’ imaginations for decades, bringing the legendary battles and sweeping landscapes of yore into the 20th and 21st centuries. There is an undeniable appeal to these tales: They allow us to escape the unglamorous complexities of our modern-day world and be transported to seemingly simpler times, when conflict was rawer and more visceral. At the same time, they remind us that, although centuries have passed, we’re still dealing with many of the same problems, from corruption among our leaders to familial conflicts.

A truly great film set in medieval times manages to blend striking visuals with timeless themes that connect us with the distant past. There are historical epics like Braveheart (1995) and Arthurian fantasies like Excalibur (1981), but there are also films that have fun with the genre’s many tropes, like Monty Python and the Holy Grail (1975) and Shrek (2001). Ahead, we’re counting down the 30 best medieval movies of all time, which may or may not make us want to pick up a sword ourselves.

01 of 30

The King (2019)

TimothĂ©e Chalamet as Henry V of England in ‘The King’Credit: Netflix

Between scoring Oscar nominations and starring in worldwide blockbusters, TimothĂ©e Chalamet took on the role of Prince Henry of Wales, charting his reluctant ascent to the throne in this medieval Netflix drama. While Chalamet’s screen presence may feel contemporary, he proves a strong match for the material here, tracking the young prince’s journey from brooding hedonist with little interest in power to ruthless, cynical leader.

Rather than a romanticized view of heroes and conquests, the film takes a grittier approach in showcasing the grim realities of the medieval past. Director David Michîd’s epic is not entirely self-serious, however, with Robert Pattinson’s flamboyant turn as the Dauphin of France injecting the proceedings with a colorful burst of energy. —Kevin Jacobsen

Where to watch The King: Netflix

02 of 30

Black Death (2010)

Sean Bean as Ulrich in ‘Black Death’Credit: Magnet Releasting/Courtesy Everett Collection

Christopher Smith’s devious plague thriller stars Eddie Redmayne as a monk recruited by a knight (Sean Bean) to lead a group of soldiers to a village where, rumor has it, someone is using witchcraft to raise plague victims from their graves.

Part pandemic horror story, part road movie, and part medieval adventure, this blood-and-pus-soaked epic makes gorgeous use of its limited color palette and its dirty, muddy authenticity. Smith is a director highly adept at switching genres, sometimes multiple times within a scene, and Black Death finds him performing at the height of those abilities. It’s an unexpected, stylishly rendered entry into the genre that delights in wrong-footing viewers. —Declan Gallagher

Where to watch Black Death: Tubi

03 of 30

Doomsday (2008)

Craig Conway as Sol (center) in ‘Doomsday’Credit: Rogue Pictures/Everett

Set in the near future decades after a zombie virus has decimated the U.K., a one-eyed military official (Rhona Mitra) leads a team of operatives into “the Hot Zone” (a.k.a. Scotland) to find a cure for the virus. If you’re wondering what, exactly, is medieval about that premise — hoo boy, just wait and see. It’s one of the greatest surprises in a movie filled with jaw-droppers.

Doomsday is a terrifically authentic callback to the grindhouse genre, combining everything from zombies to punks to car chases to medieval swordsmen and pursuits on horseback. It’s a wild, untethered time at the movies, one which operates entirely on a streamlined internal logic that you either agree to instantly or spend 108 minutes butting relentlessly up against. —D.G.

Where to watch Doomsday: Prime Video (to rent)

04 of 30

Kingdom of Heaven (2005)

Orlando Bloom as Balian de Ibelin in ‘Kingdom of Heaven’Credit: 20th Century Fox Film Corp./Everett

Ridley Scott’s Crusades epic stars Orlando Bloom as a bereaved blacksmith who teams up with his specially skilled father (Liam Neeson) on the road to Jerusalem. After arriving, he finds himself in the court of King Baldwin IV (Edward Norton) and at the center of a war with the Muslims.

Scott’s film has several versions, all of which are worth watching in some capacity, though the Director’s Cut fleshes the story out best. Though not Scott’s finest historical epic (hey, it’s tough to top 2000’s Gladiator), Norton is particularly fine here, and Bloom gives what is perhaps his best leading-man performance. —D.G.

Where to watch Kingdom of Heaven: Prime Video (to rent)

05 of 30

The Northman (2022)

Alexander SkarsgĂ„rd as Amleth in ‘The Northman’Credit: Aidan Monaghan/Focus Features, LLC

Robert Eggers’ brutal adventure basically boils down to “Hamlet, with Vikings!” It follows Alexander SkarsgĂ„rd’s Amleth (get it?), a former prince and current plunderer, as he makes his way across an arid wasteland seeking to save his long-lost mother (Nicole Kidman) and get revenge against the uncle (Claes Bang) who murdered his father (Ethan Hawke).

Eggers’ film is an impeccably mounted, occasionally humorous, brutal folk fairy tale. It feels like the sort of movie that in the old days would have been called “an old-fashioned epic,” except here there are added dashes of ludicrous perversity and outrageous splatter. —D.G.

Where to watch The Northman: Netflix

06 of 30

Becket (1964)

Peter O’Toole as King Henry II of England and Richard Burton as Thomas Becket in ‘Becket’Credit: Everett

This gripping historical epic centers on the mercurial relationship between King Henry II (Peter O’Toole) and his trusted companion Thomas Becket (Richard Burton). Frequently squabbling with the Church over taxation, Henry sees a golden opportunity after the Archbishop of Canterbury dies and appoints Becket to the position as a strategic political move. But after Becket has a spiritual awakening, the friends soon find themselves at odds, leading to a series of choices that change their lives forever.

Acclaimed for its engrossing storytelling and powerhouse performances, Becket earned 12 individual Oscar nominations, including two Best Actor bids for Burton and O’Toole. While neither actor took home a trophy, O’Toole’s tempestuous performance as Henry and Burton’s measured portrayal of Becket make for a potent drama of Shakespearean proportions. —K.J.

Where to watch Becket: Prime Video

07 of 30

Masque of the Red Death (1964)

Vincent Price as Prince Prospero in ‘Masque of the Red Death’Credit: Everett

Vincent Price stars in this Roger Corman riff on Edgar Allan Poe’s proto-slasher melodrama about a Satan-worshiping prince (Price) who engages in various perversions high atop his eerie castle whilst the Red Death fells his kingdom.

Corman’s film is lush and packed with delightful, era-appropriate details that nicely offset the modern anachronisms. This is one of the director’s most complete works, one which often plays as a genuinely sprawling and well-designed period piece adorned with a few sequences of shocking violence and genuine, macabre suspense. —D.G.

Where to watch Masque of the Red Death: Prime Video

08 of 30

Beowulf (2007)

Wealthow (voice: Robin Wright) and Beowulf (voice: Ray Winstone) in ‘Beowulf’Credit: Paramount/Everett

The best of Robert Zemeckis’ mo-cap experimentation/wilderness period, this epic — loosely based on the classic fable — follows Ray Winstone as the titular warrior, who seeks to rid a village of terror wrought by an evil demon known as Grendel (Crispin Glover, brilliantly). After defeating the beast, he incurs the wrath of its seductive, deadly mother (Angelina Jolie).

Horny and harrowing in equal measure, Zemeckis’ film is enchanting, ravishing, and occasionally puzzling. Indeed, Beowulf plays as if a sword-and-sorcery-obsessed 12-year-old got their hands on $150 million and their first issue of Playboy. It’s a complete blast featuring arresting visuals that still impress today. —D.G.

Where to watch Beowulf: Prime Video (to rent)

09 of 30

Robin Hood: Men in Tights (1993)

Dave Chappelle as Ahchoo and Cary Elwes as Robin Hood in ‘Robin Hood: Men in Tights’Credit: 20th Century Fox Film Corp./Everett

Robin Hood (Cary Elwes) escapes prison and returns to Nottingham to battle the nefarious Prince John (Richard Lewis) and woo the gorgeous Maid Marion (Amy Yasbeck).

Mel Brooks’ parody of Prince of Thieves, released just two years before this, smartly casts Elwes in a subversion of his famous role in The Princess Bride (1987). It’s one of Brooks’ last classic send-ups, with the legendary comedian providing a sharp script and a righteous supporting performance. —D.G.

Where to watch Robin Hood: Men in Tights: Prime Video (to rent)

10 of 30

Shrek (2001)

Donkey (voice: Eddie Murphy) and Shrek (voice: Mike Myers) in ‘Shrek’Credit: DreamWorks/Courtesy Everett

An ogre (Mike Myers) and a sassy donkey (Eddie Murphy) venture across the postmodern fairy tale landscape of Far Far Away to rescue a princess with a secret (Cameron Diaz) from the evil Lord Farquaad (John Lithgow).

This amiable DreamWorks parody, directed by Andrew Adamson and Vicky Jenson, kicked off the trend of self-referential, adult-skewing animated movies, for better or for worse. Three sequels (with a fourth on the way), two Puss in Boots spinoffs, and numerous straight-to-video specials have been largely unable to recapture the magic of the original Shrek. Its prime attributes are a deviously well-written screenplay and top-shelf vocal performances from the entire cast. —D.G.

Where to watch Shrek: Peacock

11 of 30

Dungeons & Dragons: Honor Among Thieves (2023)

Justice Smith as Simon, Chris Pine as Edgin, Sophia Lillis as Doric, and Michelle Rodriguez as Holga in ‘Dungeons & Dragons: Honor Among Thieves’Credit: Aidan Monaghan/Paramount Pictures and eOne

A roguish thief (Chris Pine) leads a group of ne’er-do-wells (including Michelle Rodriguez and Sophia Lillis) on an expedition to retrieve an ancient relic from a smarmy ruler (Hugh Grant, reliably brilliant).

Jonathan Goldstein and John Francis Daley had the essential idea to take the long-gestating IP of the massively successful role-playing game and turn it into a crowd-satisfying heist comedy that, while remaining inextricably and loyally tied to the source material, doesn’t bog down unfamiliar viewers with nonsensical plot points. Honor Among Thieves is one of the better recent blockbusters, effortlessly evoking the halcyon days of summer popcorn movies when the heroes had an edge, the stakes were relatable, and the action set pieces focused on character arcs rather than errant spectacle. —D.G.

Where to watch Dungeons & Dragons: Honor Among Thieves: Paramount+

12 of 30

The Black Cauldron (1985)

Taran (voice: Grant Bardsley), Hen Wen, and Dallben (voice: Freddie Jones) in ‘The Black Cauldron’Credit: Everett Collection

When the dastardly Horned King (John Hurt) makes off with a soothsaying pig, herder Taran (Grant Bardsley) embarks on a rescue mission while entertaining his dream of becoming a fabled knight in shining armor. Joining him on his quest are Princess Eilonwy (Susan Sheridan) and man-beast Gurgi (John Byner).

A nearly forgotten classic, The Black Cauldron represents all of the best signatures from Disney’s hand-drawn era. It features the warm and often compelling characters the studio is known for, along with the requisite doses of humor and pathos, but the film especially excels as a sword-and-sorcery adventure that pays honor to the genre’s most reliable tropes, offering a gateway into the genre for younger viewers without softening its edges or dulling the story’s impact. —D.G.

Where to watch The Black Cauldron: Disney+

13 of 30

A Knight’s Tale (2001)

Heath Ledger as William Thatcher in ‘A Knight’s Tale’Credit: Everett Collection

Brian Helgeland’s cheeky actioner follows a young peasant (Heath Ledger) who enters the competitive jousting field to woo a fair maiden (a note-perfect Shannyn Sossamon) but also to stick it to the stuck-up royals.

If you were to describe A Knight’s Tale, it would sound like a mess. A medieval romance that is, at its heart, a slobs-versus-snobs comedy with an anachronistic hard-rock soundtrack that gives it the feeling of a Bollywood epic. Yet, the movie unabashedly works as supreme entertainment. The cast is unmatched and the pace jocular, but its greatest trick is managing to maintain an element of uncertainty and suspense. —D.G.

Where to watch A Knight’s Tale: Paramount+

14 of 30

The Last Duel (2021)

Adam Driver as Jacques Le Gris and Matt Damon as Sir Jean de Carrouges in ‘The Last Duel’Credit: Patrick Redmond/20th Century Studios

Ridley Scott’s hard-edged, brainy-and-brawny action-adventure is a lot better than its reputation suggests. Matt Damon and Adam Driver star as longtime friends who are torn apart when the former’s wife (Jodie Comer) accuses the latter of assault. In a particularly medieval flourish, the authenticity of the woman’s statement — and indeed her fate — is to be determined by a duel between the two men.

Adopting a Rashomon-style device that plays the events from each of the three leads’ perspectives, Scott creates a tense drama with a lot to say about the medieval woman’s plight. As the movie moves into its central duel, Scott does nice work balancing the punishing violence on display with compelling character development. —D.G.

Where to watch The Last Duel: Prime Video (to rent)

15 of 30

The Green Knight (2021)

Dev Patel as Gawain in ‘The Green Knight’Credit: A24

David Lowery’s perfectly pitched mythological fairy tale, based on the ancient poem Sir Gawain and the Green Knight, stars Dev Patel as Gawain, a wastrel nobleman who fells the Green Knight (Ralph Ineson) with a fatal sword blow and then must be on the receiving end of the same deed one year later. This sends the young man on a journey across the countryside, where he encounters various characters, including a scavenger of dead bodies (Barry Keoghan).

Lowery uses the classic text to craft a rich and lyrical folk story that is at once a callback to early cinematic adventures and a completely modern spin on an old fable. Alicia Vikander is particularly good as Gawain’s put-upon love, and Sarita Choudhury stuns as sorceress Morgan le Fay. —D.G.

Where to watch The Green Knight: Hulu

Advertisement

16 of 30

Excalibur (1981)

Nicol Williamson as Merlin and Helen Mirren as Morgana le Fay in ‘Excalibur’Credit: Orion Pictures/Courtesy Everett Collection

Based on Thomas Malory’s masterwork Le Morte d’Arthur, this handsomely mounted medieval drama fulfills every major checkpoint of the Arthurian legend. Told with an epic sense of grandeur, Excalibur charts Arthur’s life from pulling the sword from the stone to establishing the Knights of the Round Table and Camelot to the quest for the Holy Grail.

Director John Boorman expertly blends the grim, bloody realities of the period with a dreamy opulence befitting of its mythic subject matter. The film, which rightfully earned an Oscar nomination for Best Cinematography, is also a key early text for several beloved U.K. actors, including Liam Neeson, Patrick Stewart, and Gabriel Byrne, and helped launch Helen Mirren (a scene-stealer here as the scheming Morgana) into worldwide stardom. —K.J.

Where to watch Excalibur: Prime Video (to rent)

17 of 30

Braveheart (1995)

Mel Gibson as William Wallace (center) in ‘Braveheart’Credit: Everett Collection

Director/star Mel Gibson’s masculine, blood-drenched passion project is a biopic following Scottish patriot William Wallace leading an assault against the English after his family is murdered.

Braveheart revived the medieval swashbuckling genre in a particularly brutal form with this rigorously detailed, if historically patchy, yarn. It heralded Gibson as an urgent filmmaker with a flair for spectacle and, most especially, carnage. As the lead, he also gives one of his finest performances as Wallace, modulating beautifully between portraying a real-life person who is also a folk hero. —D.G.

Where to watch Braveheart: Paramount+

18 of 30

Throne of Blood (1957)

Isuzu Yamada as Lady Asaji Washizu and Toshirƍ Mifune as Taketoki Washizu in ‘Throne of Blood’Credit: Mary Evans/Toho Company/Ronald Grant/Everett Collection

Akira Kurosawa’s riveting take on Macbeth set in feudal Japan stars Toshirƍ Mifune as a samurai who is cajoled by his wife (Isuzu Yamada) to usurp the throne through murder and deceit.

Throne of Blood is one of Kurosawa’s most celebrated films and, to date, one of the most imaginative and fulfilled reimaginings of Shakespeare’s text. At the time of its release, this was one of the most expensive Japanese films. Every penny seemingly ended up on the screen in sumptuous detail, being a masterwork of technical artistry and perfectly calibrated performances. —D.G.

Where to watch Throne of Blood: HBO Max

19 of 30

Sleeping Beauty (1959)

Princess Aurora (voice: Mary Costa) in ‘Sleeping Beauty’Credit: Everett Collection

Disney’s seminal feature finds Princess Aurora (Mary Costa) cursed by the evil witch Maleficent (Eleanor Audley) to die on her 16th birthday. When the plan fails, and Aurora only falls into a deep slumber, it’s up to the dashing Prince Phillip (Bill Shirley) and a trio of fairies to wake her and break the spell.

One of the most enduring animated films of all time, Sleeping Beauty is a sterling example of the genre in every fashion. With resplendent hand-painted scenery and a tight screenplay that incorporates dashes of horror and comedy into the romance with aplomb, Disney’s final animated effort of the 1950s closed out the decade with grace. —D.G.

Where to watch Sleeping Beauty: Disney+

20 of 30

Henry V (1989)

Emma Thompson as Princess Katherine de Valois and Kenneth Branagh as King Henry V in ‘Henry V’Credit: Everett Collection

Kenneth Branagh’s feature directorial debut is a lush, grandiose adaptation of Shakespeare’s play about the tormented king of England attempting to claim France’s land, culminating in the fateful battle of Agincourt.

Branagh came out of the gate swinging with this brawny film, a smart and gritty resurrection of one of Shakespeare’s darkest works. He stuns in the lead role, well-aided by a murderer’s row of British talent including Judi Dench, Derek Jacobi, and Emma Thompson, who speak Elizabethan prose as if born to do so. —D.G.

Where to watch Henry V: Prime Video

21 of 30

Macbeth (1971)

Jon Finch as Macbeth and Francesca Annis as Lady Macbeth in ‘Macbeth’Credit: Mary Evans/Ronald Grant/Everett Collection

Roman Polanski’s savage Shakespeare adaptation stars Jon Finch in the title role and Francesca Annis as his scheming bride, who encourages Macbeth to turn against his friends and court in a ruthless ascent to the throne.

Macbeth’s themes of deceit and dishonor sit squarely within the director’s filmography while also crafting one of the most atmospheric and affecting Shakespeare works to date. In casting primarily younger actors in the roles and upping the story’s perversion and brutality, Polanski set the mold for Baz Luhrmann’s Romeo + Juliet (1996) and other, more post-modern adaptations like 10 Things I Hate About You (1999) and O (2001). —D.G.

Where to watch Macbeth: Prime Video (to rent)

22 of 30

Army of Darkness (1992)

Bruce Campbell as Ash in ‘Army of Darkness’Credit: Everett Collection

Sam Raimi’s unexpected and supremely delightful Evil Dead threequel finds Ash (Bruce Campbell) exiled to medieval times, where he must break out from under the thumb of sniveling Lord Arthur (Marcus Gilbert) to recover the Book of the Dead and return home. Embeth Davidtz, playing a Maid Marian type, makes easy work of her status as the most resourceful and memorable final girl in the Evil Dead franchise.

Having essentially remade the first Evil Dead (1981) with Evil Dead 2 (1987), Raimi decided to do the farthest-flung, most unanticipated finale to round out the trilogy. The result is a gripping horror adventure that reminds us of the unfortunately low number of movies like this in existence. —D.G.

Where to watch Army of Darkness: Prime Video

23 of 30

The Passion of Joan of Arc (1928)

RenĂ©e Jeanne Falconetti as Jeanne d’Arc (right) in ‘The Passion of Joan of Arc’Credit: Henry Guttmann Collection/Hulton Archive/Getty

Carl Theodor Dreyer’s seminal silent film chronicles the persecution of the eponymous 19-year-old warrior (RenĂ©e Jeanne Falconetti) who claimed to have spoken to God and ultimately died at the hands of overzealous religious leaders (here embodied by AndrĂ© Berley and EugĂšne Silvain) for her beliefs.

Dreyer’s extraordinary picture, with a script informed by the actual court records in Jeanne d’Arc’s case, remains one of the earliest examples of flawless visual storytelling. So emphatic are the images that the interstitial dialogue cards are hardly necessary. Dreyer shoots his film in claustrophobic close-ups, effectively trapping the audience within Joan’s plight. The result is one of the most suspenseful and haunting silent films ever made. —D.G.

Where to watch The Passion of Joan of Arc: HBO Max

24 of 30

Ran (1985)

PÄ«tā as Kyƍami and Tatsuya Nakadai as Ichimonji Hidetora in ‘Ran’Credit: Everett

Legendary auteur Akira Kurosawa transports the story of King Lear to 16th-century feudal Japan in this sweeping war drama. After the aging Lord Hidetora (Tatsuya Nakadai) announces his retirement and plans to divide his territory among his three sons, the family descends into a civil war of tragic proportions. Two of the brothers fight for absolute power while the youngest is banished; a scheming wife seeks revenge for Hidetora’s slaughter of her family; and Hidetora gradually loses his sanity.

Ran is a gripping tale of how power, ego, and corruption can destroy a family from within. Using a dynamic color palette and eye-popping battle sequences, Kurosawa creates a fascinating dissonance between the vibrancy of his visuals and the horrific physical and emotional carnage of the story. It’s a brutal tale, told confidently by one of cinema’s greatest directors. —K.J.

Where to watch Ran: Tubi

25 of 30

Monty Python and the Holy Grail (1975)

Terry Jones as Sir Bedevere and Graham Chapman as King Arthur in ‘Monty Python and the Holy Grail’Credit: Everett

Graham Chapman stars as King Arthur in this merry send-up of medieval misfortunes. Along with his servant, Patsy (Terry Gilliam), horseman Lancelot (John Cleese), and Sir Robin (Eric Idle), the men embark on a quest to obtain the Holy Grail, facing giants, murderous shrubbery, and mincing sirens along the way.

Arguably the best Python content ever produced, this positively hysterical feature finds each actor at the height of their side-splitting powers. Many of this movie’s most famous sequences have been repeated ad nauseam, but they’re such sharply accomplished pieces of comedy that they still land solidly decades later. —D.G.

Where to watch Monty Python and the Holy Grail: Prime Video

26 of 30

The Lion in Winter (1968)

Nigel Terry as John, Katharine Hepburn as Eleanor of Aquitaine, Anthony Hopkins as Richard the Lionheart, and John Castle as Geoffrey in ‘The Lion in Winter’Credit: Everett

“Of course he has a knife. He always has a knife. We all have knives! It’s 1183, and we’re barbarians,” proclaims Eleanor of Aquitaine (Katharine Hepburn) in this wickedly delightful reimagining of King Henry II’s (Peter O’Toole) dysfunctional relationship with his family. With Henry considering which of his three sons he’ll name as his successor, the battle lines are drawn as the family — including Henry’s estranged, spirited wife Eleanor — convenes over the Christmas holiday.

Rather than try to replicate exactly how Henry and his family would have spoken in 12th-century Europe, screenwriter James Goldman, adapting his own play, contemporizes the dialogue, making it feel gloriously alive for a modern audience. While often darkly humorous, the film cuts deeper when considering how the family trades barbs as a way of inflicting emotional violence on each other. Widely acclaimed upon its release, The Lion in Winter scored three Oscar wins, including Best Actress for Hepburn. —K.J.

Where to watch The Lion in Winter: Tubi

27 of 30

Rashomon (1950)

Masayuki Mori as Takehiro Kanazawa and Machiko Kyƍ as Masako Kanazawa in ‘Rashomon’Credit: Courtesy Everett Collection

Kurosawa’s seminal work inspired countless imitators with its ingenious exploration of conflicting perspectives. Taking shelter from a rainstorm, a woodcutter (Takashi Shimura) and a priest (Minoru Chiaki) recount a ghastly crime to a commoner (Kichijiro Ueda): A samurai (Masayuki Mori) has been found dead, and his wife (Machiko Kyƍ) assaulted. But as the two men recall the testimonies of those involved — including a notorious bandit (Toshiro Mifune) and the dead samurai himself, speaking through a medium — it becomes clear that everyone has a drastically different version of events.

Kurosawa’s searing drama is at once a multilayered investigation of human nature and a fascinating exploration of the slippery, subjective nature of truth. It’s a haunting film that manages to feel both expansive in ideas and terrifically claustrophobic in presentation, with the limited locations and conflicting accounts lending the movie a feeling of a constantly looping nightmare. —D.G.

Where to watch Rashomon: HBO Max

28 of 30

The Adventures of Robin Hood (1938)

Errol Flynn as Robin Hood in ‘The Adventures of Robin Hood’Credit: Everett

William Keighley and Michael Curtiz’s seminal swashbuckler stars Errol Flynn, in perhaps his best-remembered role, as the eponymous hero of Sherwood Forest. Alongside his Merry Men (including Alan Hale as Little John and Eugene Pallette as Friar Tuck), Robin Hood sets out to thwart the villainous Prince John (Claude Rains) and his ruthless ally Sir Guy of Gisbourne (Basil Rathbone), who are plotting to seize the throne from the imprisoned King Richard (Ian Hunter). Robin also works to win the hand of the lovely Maid Marian (Olivia de Havilland).

This is one of Hollywood’s great early blockbusters. Filmmakers continue to mine the tropes and signatures Keighley and Curtiz helped popularize here, with the assortment of well-known literary characters playing like something of a Marvel mash-up for 1938. The set pieces are wonderfully accomplished, with thrilling stunt work, vibrant Technicolor cinematography, and attention to detail that many current popcorn movies wish they possessed. —D.G.

Where to watch The Adventures of Robin Hood: Tubi

29 of 30

The Princess Bride (1987)

Robin Wright as Princess Buttercup and Cary Elwes as Westley in ‘The Princess Bride’Credit: Everett Collection

The late Rob Reiner’s masterpiece is a majestic and heartfelt homage to fairy tales and their villains, monsters, heroes, and romance. A grandfather (Peter Falk) reads his sick grandson (Fred Savage) a story the young boy fears will be all about kissing but is instead a swashbuckling adventure through a fantastical medieval world (with just a little kissing along the way).

Cary Elwes has never been better than he is here as the heroic Westley, who assumes the identity of the Dread Pirate Roberts and sets out to rescue his beloved Buttercup (Robin Wright) from the clutches of the villainous Prince Humperdinck (Chris Sarandon). Along the way, he joins forces with the skilled swordsman Inigo Montoya (Mandy Patinkin), who’s determined to avenge his father’s murder at the hands of a six-fingered man. The Princess Bride is nothing short of a classic, the type that’s so objectively brilliant it’s a waste of time to decorate it with superlatives. Dazzling adults and children in equal measure, it’s scary, exciting, romantic, and silly in spades. —D.G.

Where to watch The Princess Bride: Disney+

30 of 30

The Seventh Seal (1957)

Bengt Ekerot as Death and Max von Sydow as Antonius Block in ‘The Seventh Seal’Credit: Everett

Ingmar Bergman’s landmark feature stars Max von Sydow as a soldier who, upon returning home from the battlefields of the Crusades to find his village in the throes of the bubonic plague, sets out on a journey to evade death personified and, in one of cinema’s most famous sequences, tries to beat the entity in a chess match.

Certainly one of the most impactful films ever made, The Seventh Seal is a potent exploration of medieval ideology and man’s commitment to country and service. Bergman reportedly took cues from Akira Kurosawa’s medieval and samurai filmography to craft this opus; the relationships to the supernatural and questions regarding the usefulness of military endeavor are reminiscent of Rashomon and the director’s other notable post–World War II works.

As with any great creative worth their salt, Bergman takes those homages and winking nods and turns them into something entirely his own. The influences are visible, but how Bergman spins and twists them is specific to the Swedish auteur’s vision. Nearly 70 years after its release, The Seventh Seal remains one of the most thrilling additions to cinema’s canon. —D.G.

Where to watch The Seventh Seal: HBO Max

on Entertainment Weekly

Original Article on Source

Source: “AOL Entertainment”

We do not use cookies and do not collect personal data. Just news.